Galerie Andriesse ~ Eyck, Amsterdam
March 16 – April 27, 2019
Five years ago, curator Karima Boudou Mzouar invited my fictional artist Donelle Woolford to participate in the 5th Marrakesh Biennale. In email exchanges related to the main “complex artisanale,” or craft district, in Marrakesh, we discussed the possibility of a site-specific installation that would take place there. The exhibition never took place—funding collapsed and all the sattelite projects were canceled— but a mistaken, literal translation of “complex artisanale” into English intrigued me. Where the French term identifies a space in which craft labor take place, in English “artisanal complex” suggests a psychological condition related to craftsmanship in which “a related group of emotionally significant ideas that are completely or partly repressed cause psychic conflict, leading to abnormal mental states or behavior.” As is said in politics, a politician who claims to have mispoken has merely inadvertently spoken the truth. So seemed my misunderstanding of complex artisanale, which seemed like a good concept for an exhibition.
My fifth exhibition with Zsa Zsa Eyck in Amsterdam celebrates this misunderstanding. On the one hand the gallery show is the site of commerce, a shop where products can be purchased; on the other hand it is a place to (psycho)analyze my “artisanal complex:” my irrepressible need to be ingenious, to make things to the best of my ability and offer them for sale.
Here is a press release
Here is a design object for sale