Joe Scanlan

Two exhibitions inspired by Marcel Broodthaers' concept of "décor," curated from the collection of the FRAC des Pays de la Loire

Solitary confinement, "roughing it," and imaginary time-space travel are common literary themes

A collaborative meditation on cultural appropriation and branding at ARCO, Madrid

A text originally published by the artist in 2909 translated into a full-blown museum installation, replete with Richard Prince standees.

Complete performance transcript and commentary for Dick's Last Stand, Donelle Woolford's contribution to the 2014 Whitney Biennial.

An exhibition not unlike a baker of pies whose apples are still ripening on the trees.

Part I of a two-part exhibition and ongoing project at the Museum aan Zee in Ostend, Belgium

When pictures become furniture, there is a direct historical reference to the development of pictures as moving objects.

An exhibition in which Joe Scanlan exhibited seven works, maybe more.

Sometimes a ballad works on levels other than the literal subject of its lyrics.

A brilliant interview by Steve Lafreniere commissioned for Commerce 10, People in Trade.

First published in the Sol LeWitt 100 Views, published by Mass MoCA and Yale University Press, 2009.

Although seldom invoked in the art world, Diversification is corollary to much that transpires between artists, critics, galleries, and museums.

Some thoughts commissioned by the Bulletin of the Yale University Art Gallery for a special issue on sculpture.

A performance lecture by Donelle Woolford (moderated by Claire Bishop and Mark Sladen) as part of the Double Agent exhibition at the ICA London.

A talk by the artist as part of a two-day conference on Art & Labor at Yale University, published in Commerce 10, People in Trade.

Images of Joe Scanlan's third solo show at Galerie Martin Janda, Vienna.

A rejected proposal.

An installation that unfolded over the course of eighteen months on the top floor of the K21.

A breakdown of pop-up stores and other commercial interventions on the European continent, 2002 - 2005.

A great shift is occurring in the American psyche.

A celebration of the role that craftsmanship, love, and local commerce can play in changing the hearts and minds of the people of the United States.

A sculpture made during the re-election of president George W Bush, with Dick Cheney et al in tow.

Dirt, and lots of it, nicely packaged and sold for £8.

A version of William Dunbar’s infamous ode to his predecessors, updated to be an elegy for twentieth century architects and designers instead.

What to say about Ed Ruscha.